They first became properly visible these huge figures just within the tops of the bushes -- immense bronze-colored moving and wholly independent of the swaying of the branches. I saw them plainly and noted now I came to examine them more calmly that they were very much larger than human and indeed that something in their appearance proclaimed them to be not human at all. Certainly they were not merely the moving tracery of the branches against the moonlight. They shifted independently. They rose upwards in a continuous stream from earth to sky vanishing utterly as soon as they reached the dark of the sky. They were interlaced one with another making a great column and I saw their limbs and huge bodies melting in and out of each other forming this serpentine line that bent and swayed and twisted spirally with the contortions of the wind-tossed trees. They were nude fluid shapes passing up the bushes within the leaves almost - rising up in a living column into the heavens. Their faces I never could see. Unceasingly they poured upwards swaying in great bending curves with a hue of dull bronze upon their skins. . . . For the longer I looked the more certain I became that these figures were real and living though perhaps not according to the standards that the camera and the biologist would insist upon. The Willows is an example of early modern horror and is connected within the literary tradition of weird fiction.